By continuing to concentrate on what is on the surface
rather than the surface itself, it has allowed me to push my ideas forward and
experiment more. It has become apparent
to me that it is the texture, colour and pattern on the surface that I am interested
in, rather than the ground that I am working into. Using simple shapes, I have layered, repeated
and stacked the components to create varying textures whilst still translating
the numbers from the bus timetable into a pattern.
I received some photos of the work in Paris displayed at the show and it was great to see it as it was intended to be showed. Following on from the exhibition, the piece along with everyone else’s work is going to be shown at Stockport Art Gallery. This is an exciting opportunity and I am looking forward to being part of the full process of setting up an exhibition and learning more about the procedure of curating.
Crafts Council have a large range of oppurtunites that are posted on their website as well as useful guidelines in regards to seeking out gallery oppurtunites.
Crafts Council have a large range of oppurtunites that are posted on their website as well as useful guidelines in regards to seeking out gallery oppurtunites.
I have looked at the work of Anne Kyro Quinn who designs and produces a range of sculptural interior accessories using felt with a strong emphasis on three-dimensional structures. The studio create the pieces by hand and then work with architects and interior designers to create bespoke textiles for the commercial, retail and domestic environments. They have created work for the high profile corporations such as the BBC, Quator Airlines and the Hyatt Hotel Group. This is an area where I would like to see my work going, creating commissioned interior pieces whilst working and networking with architects and designers.
Anne Kyro Quinn
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